Film Appreciation: BA (J&MC)-309

Lecture Series Description Lecture By
Lecture 1  Film as a Language Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 2 Film as a Medium of Communication Lecture by Dr. Rajesh Agrawal,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 3  Concept Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 4  Strengths & Limitations Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 5  Components of Film Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 6  Script, Light Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 7  Sound, Camera Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 8  Acting, Music, Editing Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 9  Visual Language: Shot, Scene Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 10  Sequence, Montage Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 11 Mise-En-Scene and Continuity Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 12 Landmarks in Cinema Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 13  Various Movements in Cinema Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 14  Expressionism Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 15 Italian Neo Realism and French New Wave Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 16 Milestones and landmarks in World Cinema Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 17 Alfred Hitchcock Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 18 Dziga Vertov, Vittorio De Sica Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 19  Akira Kurosawa and Satyajit Ray Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 20  Landmarks of Indian Cinema: Silent Era (Raja Harishchandra), Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 21 Socials (Mother India) Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 22  Parallel Cinema (Ankur), Diaspora (Namesake) Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 23 Trends and Debates in Indian Cinema Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 24  Emerging Trends in Contemporary Indian Cinema Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 25  Computer Generated Imagery (CGI) Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 26  Crossover and Experimental Cinema Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 27  Censorship Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 28 Need Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 29  CBFC standards Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 30  An Overview of Contemporary Indian Film Industry Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 31 Multiplex culture Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 32  Piracy Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 33  Statistics Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 34 Film Appreciation Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 35 Concept, need Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 36 Elements Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 37  Cinematic Language Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 38 Film Review Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 39  Critical Appreciation of Cinema as a text Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 40  Discourse Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 41  Narrative Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 42  Job Profile Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 43  Responsibilities of a Film Reviewer Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 44  Review a film Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D