Film Appreciation: BA (J&MC)-309Lecture SeriesDescriptionLecture ByLecture 1 Film as a LanguageLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 2Film as a Medium of CommunicationLecture by Dr. Rajesh Agrawal, Lecture by B, Lecture by C, Lecture by DLecture 3 ConceptLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 4 Strengths & LimitationsLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 5 Components of FilmLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 6 Script, LightLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 7 Sound, CameraLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 8 Acting, Music, EditingLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 9 Visual Language: Shot, SceneLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 10 Sequence, MontageLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 11Mise-En-Scene and ContinuityLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 12Landmarks in CinemaLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 13 Various Movements in CinemaLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 14 ExpressionismLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 15Italian Neo Realism and French New WaveLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 16Milestones and landmarks in World CinemaLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 17Alfred HitchcockLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 18Dziga Vertov, Vittorio De SicaLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 19 Akira Kurosawa and Satyajit RayLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 20 Landmarks of Indian Cinema: Silent Era (Raja Harishchandra),Lecture by A, Lecture by B, Lecture by C, Lecture by DLecture 21Socials (Mother India)Lecture by A, Lecture by B, Lecture by C, Lecture by DLecture 22 Parallel Cinema (Ankur), Diaspora (Namesake)Lecture by A, Lecture by B, Lecture by C, Lecture by DLecture 23Trends and Debates in Indian CinemaLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 24 Emerging Trends in Contemporary Indian CinemaLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 25 Computer Generated Imagery (CGI)Lecture by A, Lecture by B, Lecture by C, Lecture by DLecture 26 Crossover and Experimental CinemaLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 27 CensorshipLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 28NeedLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 29 CBFC standardsLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 30 An Overview of Contemporary Indian Film IndustryLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 31Multiplex cultureLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 32 PiracyLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 33 StatisticsLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 34Film AppreciationLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 35Concept, needLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 36ElementsLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 37 Cinematic LanguageLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 38Film ReviewLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 39 Critical Appreciation of Cinema as a textLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 40 DiscourseLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 41 NarrativeLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 42 Job ProfileLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 43 Responsibilities of a Film ReviewerLecture by A, Lecture by B, Lecture by C, Lecture by DLecture 44 Review a filmLecture by A, Lecture by B, Lecture by C, Lecture by DFilm Appreciation: BA (J&MC)-309 was last modified: January 31st, 2022 by admin Share Facebook Twitter Google + Pinterest