Home Film Appreciation: BA (J&MC)-309

Film Appreciation: BA (J&MC)-309

Lecture SeriesDescriptionLecture By
Lecture 1 Film as a LanguageLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 2Film as a Medium of CommunicationLecture by Dr. Rajesh Agrawal,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 3 ConceptLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 4 Strengths & LimitationsLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 5 Components of FilmLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 6 Script, LightLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 7 Sound, CameraLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 8 Acting, Music, EditingLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 9 Visual Language: Shot, SceneLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 10 Sequence, MontageLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 11Mise-En-Scene and ContinuityLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 12Landmarks in CinemaLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 13 Various Movements in CinemaLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 14 ExpressionismLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 15Italian Neo Realism and French New WaveLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 16Milestones and landmarks in World CinemaLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 17Alfred HitchcockLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 18Dziga Vertov, Vittorio De SicaLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 19 Akira Kurosawa and Satyajit RayLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 20 Landmarks of Indian Cinema: Silent Era (Raja Harishchandra),Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 21Socials (Mother India)Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 22 Parallel Cinema (Ankur), Diaspora (Namesake)Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 23Trends and Debates in Indian CinemaLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 24 Emerging Trends in Contemporary Indian CinemaLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 25 Computer Generated Imagery (CGI)Lecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 26 Crossover and Experimental CinemaLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 27 CensorshipLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 28NeedLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 29 CBFC standardsLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 30 An Overview of Contemporary Indian Film IndustryLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 31Multiplex cultureLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 32 PiracyLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 33 StatisticsLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 34Film AppreciationLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 35Concept, needLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 36ElementsLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 37 Cinematic LanguageLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 38Film ReviewLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 39 Critical Appreciation of Cinema as a textLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 40 DiscourseLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 41 NarrativeLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 42 Job ProfileLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 43 Responsibilities of a Film ReviewerLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
Lecture 44 Review a filmLecture by A,    Lecture by B,    Lecture by C,    Lecture by D
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